I found an old pencil sketch of a bottle the other day and spontaneously started filling it in with watercolors. It’s been a long time since I’ve painted. It’s really just a sketch and has its flaws, starting with the paper (not watercolor paper) and then the colors that turned out muddy in some places because I just kept moving the brush over and over in the same spot (an old bad habit I have a hard time controlling). Watercolor is a tricky and fascinating medium. You can only do so much and quite often have to accept the flow of the watery pigment. That’s one of the reasons why I started painting with watercolor and it’s also the reason for a lot of frustration I had to deal with. And one day I stopped, partly because the frustration was just too much. But now, I think, it’s time I pick it up again. While you get better with practice, it is not always possible to control the outcome. That’s true in art, as in life. The only thing that can save you then (from frustration or worse) is acceptance. It is what it is. And sometimes, if you look at things with an open mind, you might see beauty where there seemed to be none before. Enjoy!
Tag Archives: art
Käthe Kollwitz – Mother with Boy
Käthe Kollwitz (1867-1945) was a German artist. She lived through both world wars, lost her brother and her younger son in WWI and her grand son in WWII. Needless to say that these losses left a great impression on her. She was a committed socialist and pacifist. Quite often she depicted death, hunger, and the devastation of war in her art. She mostly sculpted but also produced very impressive drawings. Her sculptures are outstanding, very special and among my favorites. I had the pleasure to see (and touch – a very special treat) some of her super large sculptures in the Käthe Kollwitz Museum in Berlin. A friend who visited this museum very recently sent me a postcard featuring one of her drawings called “Mother with Boy”. Kollwitz very often made the Mother a central figure of her art. Mothers who give birth to their sons, only to lose them in horrible senseless wars.
I’m so impressed with the seemingly simple style of her art, and I wanted to study her technique. Turns out, it might look simple but it has a lot of little intricacies that are harder to reproduce than it seems. I find, the best way is really to copy and experience how the artist did it. When I say copy, I mean looking and drawing free hand – no cheating with any helpful tools like rulers or so. The point is to train your eye and to get a sense for the technique of the artist.
Why is this line exactly here and not there? What happens if I move it just a bit? Is this little dot of importance? Those were the thoughts that crossed my mind while trying to copy her drawing. Again, it looks so simple at first sight, but it was actually really hard to copy. It helps when I step away for a few hours or even a day or two. It also helps, when I look at a photo of her and my drawing side by side (as you see below). For some reason I notice other things when I look at a photo instead of the actual drawing. And every time I see another little thing that needs “fixing”.
An amazing exercise, that I enjoyed immensely. I stopped at some point. It can still be improved. However, that is also a lesson I learned from this exercise. You stop at some point and accept the result. And then start over, if you wish. Every time you learn something new. Try it !
Minimal Line Art Woman with Flowers Art Print
I’ve always been intrigued by simplicity and the genius and beauty that most often can be found in the simplest things (or art in this case). So, I am reposting this article, originally published by thisisthedailygrind. Shout out to the fellow artist, who “walks the path” and keeps hanging in there. 🙂
The term “Minimal Art” – minimal art – was coined in 1965 by the English philosopher Richard Wollheim. He used it to describe a kind of contemporary work of art, where the aesthetic effect is very paradoxically based on an absence of art content. The “ready-mades” of Duchamp were a good example of this. The importance of Duchamp in this respect had to do with the significance of his “ready-mades” for aesthetic thinking about the object itself as an essential component of art. By presenting a urinal and a bottle rack as examples of “ready-made” art, Duchamp reduced both the artist’s personal intervention and the value of artistic craftsmanship.
He gave purely functional objects an aesthetic value by simply making their own choice, instead of teaching them handicrafts. What he wanted to demonstrate was that the making of art could take place under different conditions than only on the basis…
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Happy Holidays – The Artist’s Way
Do you still have room for one more Christmas gift? No? Buy it anyway. This is a true gem: The Artist’s Way by Julia Cameron. If you ever got stuck, had some kind of creative block (who hasn’t) or never got started because… because there is always a “good” reason not to – and you are really frustrated and finally want to do it but can’t somehow. This book will help you to overcome whatever holds you back. Sounds too good to be true? That’s what I thought. Now that I finally bought it and started following her advice, I can honestly say, it does work. At least for me – and it did for thousands of others before me. So why not give it a try. You have nothing to lose, except your frustration and pain.
Wishing all of you “out there” happy holidays and all the best for 2019.
May all your dreams come true.
Change is the Only Constant
Hello Everyone! It’s been a while since I have last posted. Life caught up with me and a lot has happened: personally, professionally, geographically – really complex changes – yet, this is not the place nor the time to talk about it. It goes without saying, that it’s stressful while you are in the midst of things (hence no posts), but at the end of every tunnel is usually light and I made it to the other side and came out just fine – if not better. So, no worries. I’m back and here comes my next post:
Here are a few pictures of a sculpture (a work in progress at the time) that unfortunately did not survive my last move – that’s life. As a wise man once said:
“Everything flows, nothing remains.” –Heraclitus of Ephesus
Sometimes when I photograph my work I see it differently. Mainly it helps me to see “mistakes” that I hadn’t seen with the naked eye. For example, in the following pictures I noticed that her forehead seems too flat and the arms seem not quite proportional. Have you noticed it too, that photos help you to see your art differently?
see.me @New York
I show some of my artwork on a website called see.me and they have organized an event in New York which – woohoo – I was chosen to be a part of. They will show art from 103 countries and the show will run from July 25th until September 10th.
PLEASE VISIT MY SEE.ME WEBSITE AND HIT THE SUPPORT BUTTON, it’ll help me getting more opportunities to show my work etc. – THANKS !!!
The following is the letter they sent me:
Congratulations! Your work work will be shown at The Story of the Creative! This message is to confirm your materials have been received and you are officially part of The Story of the Creative exhibition opening in our New York City gallery on July 25th, 2013.
The show will be open to the public. If you are unable to attend the opening for any reason, we will mail you an archival print of the images shown and an official letter of recognition.
Since your work will be on view for seven weeks, stop by anytime until September 10th to see your work in the exhibition!
We’re thrilled to have you as a part of the show. Your hard work is done, you’ve made great art. Now we are going to get busy producing this massive show. Thanks again for being a part of the See.Me community.
Best,
Emily K.
Community Director
www.See.Me
Meander Time
The following is a re-post from a website called The Mindful Artist
Michele (the writer) is an artist and also runs a mentor program for other artists. She writes very thoughtful posts about the creative process and “bumps in the road” that we all might hit sooner or later. I thought this post was enlightening and helpful, so I am re-posting it. Hope you like it too.
The other day in the studio I was reminded of how important it is for me to have what I like to call “meander time”.
Meander time is that unstructured, unproductive, unhurried envelope in which there are no goals, no urgency towards completion, only a free and easy flow of listening to and following our quiet inclinations.
When I work in my studio, I generally jump in where I left off the day before. I settle easily into a humming rhythm of focus and productivity. But this time, something didn’t feel right. The process felt forced.
I paused and found a comfy place, got quiet, closed my eyes and went inward. It became clear to me that I hadn’t been allowing time recently in the studio for exploration, for browsing in books, for lying and looking at the ceiling, for staring out the window or just being.
This is pure right brain territory.
This is when we are in a receptive state.
This is when fresh, new ideas are able to flow in.
Most of us were told when young and apt to daydream that we were “wasting” time. Wasting time is frowned upon severely in a society full of people who feel so busy and strapped for time. We feel more virtuous when we are productive.
Some of my most rich and fruitful ideas come from meander time. Sometimes this means getting outside the studio – going on a walk or just sitting and being in nature. Sometimes it involves going on the studio with no particular plan and allowing myself to rest, nap, stare at the works in progress, peruse art books or leaf through boxes of old drawings or supplies. It’s really about letting go of a particular objective and following what feels right in the moment.
There’s a delicate balance we artists ride between doing and being.
Too much “being” can be a disguised form of avoidance. Too much “doing” and our creative well dries up because it is never replenished.
What about you? Have you noticed this rhythm within yourself? When have you opened up to meandering and allowed new ideas to flow in?
For the original post go here http://www.themindfulartist.com/2011/03/meander-time/
Drum Roll Please
It’s award season, no doubt. First the Liebster blogging award and now this. 😀
Remember my post from June 12th? I announced the Best of Gage show here in Seattle and that I had submitted a sculpture – and wooaaahhhh – I WON – 3rd place (sculpture category).
He’s only the 4th sculpture I’ve ever done and my first cat, so I am especially pleased and happy. Here are a few pictures of the winner.
On the Prowl | Ceramic | 2012
Seattle – Best of Gage 2013
To everyone who lives in the Seattle area:
Please join us this Friday, June 14th from 6 pm to 9 pm to celebrate the Best of Gage, showcasing drawings, paintings and sculptures by Gage student artists – at Gage Academy of Art in Capitol Hill. There will be drinks and snacks. Awards are given in seven categories. I have submitted a sculptures this year, my first time, wish me luck 🙂
Here a link with details:
http://www.gageacademy.org/events/?page=current&type=16
Last year about 600 people visited the event.
Hope you will drop by and enjoy some art.
Double the Fun
One homework assignment in Foundation Sculpture was to sculpt a bell pepper. Now, that sounds boring – or so I thought. The twist was that we had to double it in size in the process and for an extra kick it was encouraged to find a bell pepper that had especially “sexy” and complex curves.
Unfortunately I did not get a photo of the original bell pepper. These little buggers spoil pretty fast. I was very busy sculpting and forgot to get a photo at the time. So, to give you an idea how large it is I put a regular size pen right next to the sculpture. It is a pretty amazing experience how doubling a 3D object turns out. Just by looking at my original pepper, I did not expect the sculpture to be so massive.
Also, sculpting a bell pepper is much more challenging than one would think. There’s no rule to all these curves and little “hills” and “valleys” and the object is much stranger than we think it is. Of course we see bell peppers all the time in daily life but have you really looked at the intricacies of one? I mean, really looked and thought about them?
Doubling it in size makes copying the object even harder. There’s a lot to compute and it’s quite a workout for your powers of observation. If you are interested in learning to sculpt and have never done this exercise, I strongly encourage you to do so – it’s much more interesting and educational than you would think.
I worked in water based clay, the sculpture is roughly 13″ in length, 4.5″ at the widest point and 3.5″ at the highest point.
It turns out that the shapes of a pepper can be very similar to those of the human body. Somehow it does look sexy. 🙂