The following is a painting of my son Jakob when he was about two years old. It’s watercolor on canvas primed with limewash, which is pretty much the equivalent of a wall, that painters in the old days would have used to paint Frescos. I will explain the process in my next post. It was an interesting and fascinating experience and I am really happy with the result. Hope you like it too. Be safe, stay healthy, keep creating, xoxo, Lilo
Tag Archives: painting
Boy With Blue Hat – Watercolor on Canvas, Part Two
Quick follow up on yesterday’s post about different undergrounds for watercolor painting. I already showed you a little painting on Gesso board. The following is painted on traditional canvas primed with Gesso. You can buy it like this in any art store. I put the label in the picture, so you can see what exactly it’s called.
It’s available in all kinds of sizes, different qualities and from several companies. I actually chose the cheapest I could find, I simply wanted to see what happens when I paint with watercolor on Gesso canvas. I might try different qualities in the future, we’ll see if it makes a big difference. This particular Gesso canvas did not suck up the watercolor as readily, the paint stayed on the surface for a while. Once dry though you can carefully add a second layer. It does have the tendency to lift the previous layer to a degree when applying the next one, so, it does take a little practice and patience. The upside is, that you can fairly easily correct mistakes, it’s easy to lift the paint, even once it’s dry, simply use a moist brush. Also, creating colors by layering was a bit of a challenge, but it is possible to a degree. In this picture, I used Cadmium Yellow, Permanent Alizarin Crimson and Indigo Blue. Some I mixed on the pallet, some on the canvas. I’m particularly happy with the hat and the folds on the shirt. Some parts of the skin turned out a little too green. Overall though, it was a good learning experience. A definite upside of canvas is the weight, which allows for very large sizes, and which inspired me to search for a canvas that can be used for watercolor. I have experimented with other types of primer and underground, stayed tuned for more on this subject in my next post.
I hope, wherever you are, the weather is as sunny as it is here today and you are safe and healthy. Stay curious, keep creating. xoxo, Lilo 😘
Accepting the Flow
I found an old pencil sketch of a bottle the other day and spontaneously started filling it in with watercolors. It’s been a long time since I’ve painted. It’s really just a sketch and has its flaws, starting with the paper (not watercolor paper) and then the colors that turned out muddy in some places because I just kept moving the brush over and over in the same spot (an old bad habit I have a hard time controlling). Watercolor is a tricky and fascinating medium. You can only do so much and quite often have to accept the flow of the watery pigment. That’s one of the reasons why I started painting with watercolor and it’s also the reason for a lot of frustration I had to deal with. And one day I stopped, partly because the frustration was just too much. But now, I think, it’s time I pick it up again. While you get better with practice, it is not always possible to control the outcome. That’s true in art, as in life. The only thing that can save you then (from frustration or worse) is acceptance. It is what it is. And sometimes, if you look at things with an open mind, you might see beauty where there seemed to be none before. Enjoy!
Experimental Painting
I attended a class at Miller School of Art in Georgetown today (which is just south of Seattle). Title of the class was Experimental Painting. Marc (the owner) provides all the material and you have four hours of time to just paint, no restrictions, no limits really – he gave some guidelines what media to use in what order, basically teaching certain techniques – but otherwise you could just let loose – which I enjoyed sooo much. Just letting loose compared to the very concentrated efforts of the drawing instructions in the other classes was a nice change. Here are the two paintings I produced.
Mixed Media on Watercolor Paper | Charcoal, Oil Pastel, Watercolor and Acrylic | 06/2012
The above painting was just pure fun. First you apply any shape you like with charcoal (it leaves the dark shadow-like shapes), then you draw in oil pastel (which pops out in the end), go over it with a layer of watercolor (that’s what you would see as back ground color in this case), paint with acrylic paint on top of it, blow dry the whole thing until the acrylic is half-way “firm” – and finally wash/scrub the whole painting down under running water. The acrylic remnants show up as fine lines here. The abuse the painting took was amazing and the outcome just pure fun.
Mixed Media – Watercolor, Charcoal, Acrylic on Untreated Cotton Cloth | 06/2012
This is the second painting I’ve created. It’s done on drop cloth stapled to a 1/4 inch board (cheap material ! ). First you apply layers of watercolor, then charcoal (hardly visible in this painting) and finally acrylic paint. I really liked the technique (very promising, I will use it in the future for sure) and if I may say so, I am fascinated with the outcome.
Also, did I mention it ? Fun, Fun, Fun !
Woman Standing
Some time ago I visited the Leopold Museum. They have the largest collection of Egon Schiele paintings. They also show some paintings of Gustav Klimt.
This small sketch (11.5″x 6″) is inspired by the work of these masters. It’s part of my experimenting with posture and color.
Woman Standing | Watercolor on Paper | 09/2011