Tag Archives: watercolor

Jakob – Modern Fresco

The following is a painting of my son Jakob when he was about two years old. It’s watercolor on canvas primed with limewash, which is pretty much the equivalent of a wall, that painters in the old days would have used to paint Frescos. I will explain the process in my next post. It was an interesting and fascinating experience and I am really happy with the result. Hope you like it too. Be safe, stay healthy, keep creating, xoxo, Lilo


Boy With Blue Hat – Watercolor on Canvas, Part Two

Quick follow up on yesterday’s post about different undergrounds for watercolor painting. I already showed you a little painting on Gesso board. The following is painted on traditional canvas primed with Gesso. You can buy it like this in any art store. I put the label in the picture, so you can see what exactly it’s called.

IMG_6983It’s available in all kinds of sizes, different qualities and from several companies. I actually chose the cheapest I could find, I simply wanted to see what happens when I paint with watercolor on Gesso canvas. I might try different qualities in the future, we’ll see if it makes a big difference. This particular Gesso canvas did not suck up the watercolor as readily, the paint stayed on the surface for a while. Once dry though you can carefully add a second layer. It does have the tendency to lift the previous layer to a degree when applying the next one, so, it does take a little practice and patience. The upside is, that you can fairly easily correct mistakes, it’s easy to lift the paint, even once it’s dry, simply use a moist brush. Also, creating colors by layering was a bit of a challenge, but it is possible to a degree. In this picture, I used Cadmium Yellow, Permanent Alizarin Crimson and Indigo Blue. Some I mixed on the pallet, some on the canvas. I’m particularly happy with the hat and the folds on the shirt. Some parts of the skin turned out a little too green. Overall though, it was a good learning experience. A definite upside of canvas is the weight, which allows for very large sizes, and which inspired me to search for a canvas that can be used for watercolor. I have experimented with other types of primer and underground, stayed tuned for more on this subject in my next post.

I hope, wherever you are, the weather is as sunny as it is here today and you are safe and healthy. Stay curious, keep creating. xoxo, Lilo    😘

Painting Watercolor on Canvas and Boards – Part One

Commonly watercolor paintings are done on watercolor paper. If you want to display the painting and hang it on the wall, it usually is framed behind glass. That has two downsides, it’s costly and because of the weight, it limits the size. So I did some research on what else I could use to paint on. Obviously, there is canvas, but as far as I knew it usually was not used for watercolor, rather for oil and acrylic paints. After having consulted with a very knowledgeable salesperson at my art store, I came up with three options:

1) Most canvases are already primed with Gesso. He thought it was worth a try to just use it as is and see how it works with watercolor. I did, however, buy a Gesso board, wanted to try that first.

2) I found a watercolor ground (Schmincke, Daniel Smith, several companies make it), that can be painted on pretty much any surface. Once dry you can paint on it.

3) I also found a canvas especially made for watercolor. It is produced in Berlin, Germany. So, possibly you might not find it as easily in other countries, I am not sure. However, I would never want to use it again. I thought it was the worst option of the three. Obviously, that is only my opinion. You might want to find out for yourself. I was just not happy with the quality.

In order to test those three options, I painted a little bird.


From left to right: Gesso board with three layers of Aqua Ground, then in the middle simply Gesso board (as bought in the store), on the right the above mentioned watercolor canvas, which is really rather paper, not traditional canvas. Note the different quality of the brush stroke, the way the paint spreads, the quality of the layering and the way the paint flows into other colors – or not. As I said, the worst underground was the watercolor canvas (according to the company, it is their new invention, specifically made for watercolor painting). I wasn’t even able to add the watery layers I did on the feet in the other pictures. It simply would not work, the “canvas” would not take the color or let the color flow. If you look really closely, you can see a very faint spot around the feet of the bird. I also don’t like how the paint smudges. The other two undergrounds were fairly similar. The Aqua Ground allowed for a little more blooming. It was a very interesting experiment. Goes to show, how important good material/underground is. It can impact the quality of the painting quite severely. Note, I painted all three birds within a few hours, meaning there was no time for my painting skills to improve. The difference in quality is completely due to the ground I painted on. It was quite a revelation to me.

I experimented with other options to paint on. I will show you in the next post.

Hope you found this helpful. Keep painting. Stay healthy. Be well.  👩🏼‍🎨 😘

Georges Braque – The Value of Art

“Art is made to disturb. Science reassures. There is only one valuable thing in art; the thing you cannot explain.”

 – Georges Braque

My watercolor instructor says if the painting shows “everything” and does not leave room for the viewer to “finish” it it’s a boring painting – to say the least – or may be even a bad one. The Braque quote reminded me of that.

Have a great sunny weekend!



Woman Standing

Some time ago I visited the Leopold Museum. They have the largest collection of Egon Schiele paintings. They also show some paintings of Gustav Klimt.

This small sketch (11.5″x 6″) is inspired by the work of these masters. It’s part of my experimenting with posture and color.

Woman Standing | Watercolor on Paper | 09/2011

Loosening Up (Jakob’s World)

Here is what I produced yesterday during the first day of Bev’s workshop. I tried to loosen up and paint a little more fearless. (I usually am very hesitant and think about every single brush stroke.)   Bev’s bold, fast and fearless approach to watercolor painting encouraged me to try the same. Of course she has 20 years of experience and I only about three months but you have to dare otherwise one doesn’t learn anything. So, dare to mess up. There is no wrong or right, really.

My painting did not turn out as I had imaging it when I started but I am happy with the result. Another lesson learned – go with the flow (with watercolor that sometimes means literally) and accept the outcome.

“Jakob’s World” | Watercolor | 09/2011